翻訳と辞書
Words near each other
・ Buddhism in the Middle East
・ Buddhism in the Netherlands
・ Buddhism in the Philippines
・ Buddhism in the United Kingdom
・ Buddhism in the United States
・ Buddhism in the West
・ Buddhism in Ukraine
・ Buddhism in Uzbekistan
・ Buddhism in Venezuela
・ Buddhism in Vietnam
・ Buddhism in Wales
・ Buddhism, the Fulfilment of Hinduism
・ Buddhist and Pali University of Sri Lanka
・ Buddhist apocrypha
・ Buddhist architecture
Buddhist art
・ Buddhist art in Japan
・ Buddhist Association of China
・ Buddhist atomism
・ Buddhist Broadcasting Foundation
・ Buddhist calendar
・ Buddhist chant
・ Buddhist Chung Wah Kornhill Primary School
・ Buddhist Churches of America
・ Buddhist Congregation Dharmaling
・ Buddhist cosmology
・ Buddhist cosmology of the Theravada school
・ Buddhist councils
・ Buddhist crisis
・ Buddhist cuisine


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Buddhist art : ウィキペディア英語版
Buddhist art

Buddhist art is the artistic practices that are influenced by Buddhism. It includes art media which depict Buddhas, bodhisattvas, and other entities; notable Buddhist figures, both historical and mythical; narrative scenes from the lives of all of these; mandalas and other graphic aids to practice; as well as physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture.〔(【引用サイトリンク】url=http://buddhistartnews.wordpress.com/what-is-buddhist-art/ )〕 Buddhist art originated on the Indian subcontinent following the historical life of Siddhartha Gautama, 6th to 5th century BC, and thereafter evolved by contact with other cultures as it spread throughout Asia and the world.
Buddhist art followed believers as the dharma spread, adapted, and evolved in each new host country. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, Buddhist art flourished and co-developed with Hindu and Jain art, with cave temple complexes built together, each likely influencing the other.〔T. Richard Blurton (1994), Hindu Art, Harvard University Press, ISBN 978-0674391895, pages 113-116, 160-162, 191-192〕
==Pre-iconic phase (5th century – 1st century BCE)==

During the 2nd to 1st century BCE, sculptures became more explicit, representing episodes of the Buddha’s life and teachings. These took the form of votive tablets or friezes, usually in relation to the decoration of stupas.
Although India had a long sculptural tradition and a mastery of rich iconography, the Buddha was never represented in human form, but only through Buddhist symbolism. This period may have been aniconic.
Artists were reluctant to depict the Buddha anthropomorphically, and developed sophisticated aniconic symbols to avoid doing so (even in narrative scenes where other human figures would appear). This tendency remained as late as the 2nd century CE in the southern parts of India, in the art of the Amaravati School (see: Mara's assault on the Buddha).
It has been argued that earlier anthropomorphic representations of the Buddha may have been made of wood and may have perished since then. However, no related archaeological evidence has been found.
The earliest works of Buddhist art in India date back to the 1st century B.C. The
Mahabodhi Temple at Bodh Gaya became a model for similar structures in Burma
and Indonesia. The frescoes at Sigiriya are said to be even older than the
Ajanta Caves paintings.〔(Buddhist Art ) Frontline Magazine 13–26 May 1989〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Buddhist art」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.